Reamping is often something that’s overlooked whilst recording, however it can be a lifesaver if your guitar tones aren’t quite what you’re looking for.Īs the name suggests, reamping is the act of capturing a both a clean D.I and your amped sound simultaneously, therefore enabling you to play it back through any guitar amp at a later date and re-recording that tone. Reamping Guitar Tracks: Hey, I recently did a recording of a local punk band and miced their Mesa Boogie half-stacks, but also took a direct signal from their guitars and recorded thawt straight into the soundcard. Using some of your own skills and the provided materials list, you can make your own reamp box for around 25 USD. You might even have most of the gear on hand already. In fact, reamping is one of the best ways to get creative with your home studio workflow. It’s a technique that many producers use to get better guitar sound, or experiment with sounds from effects pedals and amps. You probably also know that the commercially available reamp boxes can easily cost 100 USD. Reamping is a common term in home recording circles.
If you’re not happy with the original tone you recorded, reamping essentially acts as undo (or redo) button meaning you’re able to keep the same performance but tweak the tone of the amp, audition different pedals and experiment with multiple microphones and placement. If you’re reading this, you probably know what a reamp box is and why you would need one in your recording studio. Reamping is especially useful if you’re recording in a non-studio setting. Most of the time you’ll find that an idea hits you in the middle of the night when you’re not able to plug into your noisy amp. Re-amping means you’re able to get the performance down and worry about tone later. If you don’t have an amp to record with or you’re not wanting to record with your own amp, then all you’ll need to do is plug into your interface and record a clean D.I track. However if you’re planning on recording your amp and reamping later then you’ll need to have a couple of pieces of equipment, the most important of those being a D.I box, reamp box and of course an audio interface. By doing this, you can record both the dry signal and the amplified signal simultaneously. The D.I box is placed first in the signal chain because you need to ensure you capture a completely clean (free from fx or distortion) guitar signal, which you’ll then be able to send into an amp. So now you’ve recorded your clean D.I you’re ready to start reamping. You put an active DI box after the guitar, which lets the signal pass through unchanged, but also splits off a version that you can route to your interface.
#Reamp box needed for recording pro
#Stereo reamp box proįirst of all you’ll need to use your DAW to prepare your tracks, in this case we’re using Logic Pro X. On your audio interface send a balanced cable out of a spare output into your re-amp box and a guitar lead from your re-amp box to your amp.
It is important to use a re-amp box because amps operate on a different impedance to what your audio interface is sending. Set up a microphone as if you were to record a cab normally.
0 kommentar(er)
